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> Your thinking

Should be "You're thinking".


Maybe I'm just making silly misspellings like this on purpose, to prevent someone from fingerprinting me based on my writing style. :-)


> Should be "You're thinking".

This should be "This should be 'You're thinking'." don't you think? Why bother correcting someone's grammar with a sentence fragment? You're just trading one mistake for another. I'm hoping someone finds a grammar error in my post, because continuing this would be hilarious.


> This should be "This should be 'You're thinking'." don't you think?

Reflexively, I think it should be more like ...

  javascript: `This should be "You're thinking".` ; 
  // to preserve the original character use and to avoid '...'...' parse foos
  // however `"...".` also possibly deserves a [sic] to critique the original 
  // i.e. ~grammar police say the period belongs within the quote marks, no?
... but then that's just me, in [my] quirks mode.


Care to elaborate?


Climate-wise I presume. Spain sits on a similar latitude to Connecticut, and much of the EU sits north of the US population.



Yes.

An uncompressed 1080p, 60fps video with 24-bit color depth would need around 3Gbps to be streamed. And even if you don't need to stream it, that would still consume a sizeable portion of the write throughput of the fastest SSDs currently available; if you go up to 4K, you'd actually exceed that by a lot (not to mention, 1tb of storage would last for about 10 minutes of video).


Who is regularly watching uncompressed videos outside of production environments? That’s got to be a very small population.


The context was remotely encoding the video, which would require sending the uncompressed stream.


I think the context was intended to be "encoded in some fashion on the upload, just it not as AV2 until after the remote end does all of the transcoded variations". I.e. upload as 2x target bitrate AV1 once and distribute as 1x target bitrate AV2 1,000 times and you'll get the same quality without having to encode AV2 locally.

I've actually done a version this for some multi-system live AV at an event before. Between the main software mixer workstations at various fields in the event it was a dumb but simple encoding they could do in hardware at a high bitrate and then in the machine compositing for the livestream out it did AV1 software encoding to upload to the streaming site to minimize bandwidth requirement from the venue and maximize quality on the streaming site. We've since upgraded to hardware with AV1 encode though.

The practical downside is AV2 is only providing a 30% advantage over AV1. For the streaming providers their bandwidth costs are pretty cheap compared to revamping the transcoding infrastructure, so it'd probably only make financial sense once the remove end can do the most complex and quality encoding used and the rest are all simpler.


Using raw uncompressed bitrate is a bit disingenuous. How about comparing an older, widely supported codec like H.264 as a baseline?


If you compressed it with H.264, it wouldn't make much sense to send it remotely to be encoded with a better codec.


Why not? If h.264 is the best you can do with minimal resources, you can give it 5x the final bitrate and send it to a specialized/beefy encoding system to become something better.


> Using raw uncompressed bitrate is a bit disingenuous

It is not disingenuous given the context. Gp was responding to ggp's hypothetical:

>> Is there a compelling reason encoding needs to be done locally?


From the article:

> If users can’t access the universal login page, Z-Library says they can log in through TOR or I2P and get their personal clearnet domains there.


Force of gravity does depend on distance between the two objects though


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